A brochure produced by Jean Claude Lefèvre on the occasion of Daniel Buren’s exhibition Points de vue at ARC/Musée d’ Art Moderne de la Ville de Paris, May 5 1983.

*Please note this publication is secondhand and has some traces of previous ownership.

The Kiyosato Museum of Contemporary Art was a private museum that opened in Kiyosato, Yamanashi Prefecture in 1990 and closed in 2014. This book, focusing exclusively on the museum’s “Ephemera” collection, is the first volume of a series of archival books on the museum’s collection.

This volume includes the works of Yutaka Matsuzawa, Claes Oldenburg, Cy Twombly, Daniel Buren, Donald Judd, Ellsworth Kelly, Hanne Darboven, John Cage, Marcel Duchamp, Robert Rauschenberg, stanley brouwn, Tony Cragg, Wolfgang Laib, and many others.

For over 33 years, the Amsterdam gallery Art & Project (1968–1998) was a focal point in the development of contemporary art in the Netherlands. Featuring artists such as stanley brouwn, Hanne Darboven, Daniel Buren, Marcel Broodthaers, Ian Wilson, Bas Jan Ader, Yutaka Matsuzawa, Jan Dibbets, Gilbert & George, Richard Long, Ger van Elk, Charlotte Posenenske, and Lawrence Weiner.

To draw attention to their exhibitions, Art & Project produced a total of 156 bulletins. These bulletins soon became an experimental medium, becoming a vehicle for the ideas of conceptual artists and sometimes functioned as a conceptual work of art in its own right.

Initiales is an art and research biannual magazine published by the École nationale supérieure des beaux-arts de Lyon, the fifth issue is dedicated to Andrea Fraser. With contributions by Kader Attia, Eva Barto, Daniel Buren, Claire Fontaine, Dora García, Thomas Hirschhorn, Sven Lütticken, Chus Martínez, Jean-Luc Moulène amongst others.

Publication for an international exhibition in which 11 artists each made a work in a different part of Europe & North American between July–September 1969, which served as the guide to the location and description of each work. The participating artists were: Carl Andre in the Hague, Robert Barry in Baltimore, Daniel Buren in Paris, Jan Dibbets in Amsterdam, Douglas Huebler in Los Angeles, Joseph Kosuth in New Mexico, Sol Lewitt in Düsseldorf, Richard Long in Bristol, N.E. Thing Co. Ltd. in Vancouver, Robert Smithson in Yucatan and Lawrence Weiner in Niagara Falls.

*Please note this publication is secondhand and has some traces of previous ownership

The Halifax Conference presents a transcript of a conference held at the Nova Scotia College of Art and Design on October 5–6, 1970, transcribed and adapted by artist Craig Leonard.

Organized by Seth Siegelaub, the Conference was conceived as a means of bringing about a “meeting of artists…[from] diverse art making experiences and art positions…in as general a situation as possible.” Infamously, the conference was held in the college’s boardroom, while students and other interested parties watched the proceedings on a video monitor in a separate space. The result was a conversation that devolved—technologically and ideologically—into a quasi-tragicomic farce, punctuated by remarkable moments of rupture initiated by activist resistance to the Conference from the outside and dissenting voices from within.

Attendees at the conference included Carl Andre, Joseph Beuys, Ronald Bladen, Daniel Buren, Gene Davis, Jan Dibbets, Al Held, Mario Merz, Robert Morris, Robert Murray, N.E.Thing Co. (Iain and Ingrid Baxter), Richard Serra, Richard Smith, Robert Smithson, Michael Snow, and Lawrence Weiner.