Produced on the occasion of the exhibition Fine and Applied Art at The Showroom, London, 1989.
*Please note this publication is secondhand and has some traces of previous ownership.
Produced on the occasion of the exhibition Fine and Applied Art at The Showroom, London, 1989.
*Please note this publication is secondhand and has some traces of previous ownership.
Aldo and Hannie van Eyck met as students of architecture and married in 1942, and worked together closely on most projetcs, interrupted only for a few years in the late 1970s.
*Please note this publication is secondhand and has some traces of previous ownership.
Vlado Martek’s artistic beginnings go back to the time of the Group of Six Artists (Grupa šestorice autora, 1975–1979), which pursued its activities outside gallery spaces, mainly in the streets of Zagreb, seeking contact and dialogue with random passersby. Holding degrees in comparative literature and philosophy, Martek lucidly translated his wide knowledge of philosophy and poetry into art with his verbally and artistically poetic and socially critical statements.
*Please note this publication is secondhand and has some traces of previous ownership.
Catalogue for a group exhibition catalogue held at Frac Bourgogne and Atheneum, Dijon. The Gorgona group (named after the mythological creature Gorgon), was a Croatian avant-garde art group which consisted of artists and art historians. The group, made up of Dimitrije Bašičević-Mangelos, Miljenko Horvat, Marijan Jevšovar, Julije Knifer, Ivan Kožarić, Matko Meštrović, Radoslav Putar, Đuro Seder, Josip Vaništa operated in Zagreb between 1959 and 1966.
Texts by Xavier Douroux, Davor Maticevic, Nena Dimitrijevic, Đuro Seder and Josip Vanis.
Koshiro Onchi was the most important figure in the ‘Sosaku Hanga’ movement from 1918 until his death, outstanding as a print artist, photographer, book designer and active as a poet, founder and editor of magazines, an author on the subject of prints, art and literature, a leader and organiser of societies and encourager of other artists.
Joseph Cornell was an American visual artist and film-maker, one of the pioneers and most celebrated exponents of assemblage. Influenced by the Surrealists, he was also an avant-garde experimental filmmaker. He was largely self-taught in his artistic efforts, and improvised his own original style incorporating cast-off and discarded artefacts.
*Please note this publication is secondhand and has some traces of previous ownership.