Domenico Gnoli is known for his analytical paintings, which exist at the intersection of minimalism, hyperrealism and pop art.

Produced on the occasion of Domenico Gnoli’s exhibition at the Museum Boijmans Van Beuningen, Rotterdam, 14 September–4 November, 1973. With texts from Guy Joufroy and Alain Dumur.

*Please note this publication is secondhand and has some traces of previous ownership.

Produced on the occasion of Richard Long’s exhibition at the Stedelijk Museum, Amsterdam, 7 December, 1973–27 January, 1974.

SM Cat. No 551.

*Please note this publication is secondhand and has some traces of previous ownership.

Domenico Gnoli is known for his analytical paintings, which exist at the intersection of minimalism, hyperrealism and pop art.

Produced on the occasion of Domenico Gnoli’s exhibition at the Museum Boijmans Van Beuningen, Rotterdam, 14 September–4 November, 1973.

With texts from Guy Joufroy and Alain Dumur.

Texts and graphic works by Emmett Williams the American Fluxus artist and poet. With the introduction in the form of a letter to Ann Noel, his wife. The book is divided into four parts: IBM; EGO, HEGO, SHEGO; DIE (DIE) & FETE DUCHAMPETRE, all are multi page flip book-style compositions.

To see more on Edition Hansjörg Mayer visit Kunstverein Amsterdam’s current exhibition, The How and the What – Edition Hansjörg Mayer, extended until 21 June, details can be found here.

Gerd Arntz was a German Modernist artist renowned for his black and white woodcuts. A core member of the Cologne Progressives he was also a council communist. The Cologne Progressives participated in the revolutionary unions AAUD (KAPD) and its offshoot the AAUE in the 1920s. In 1928 Arntz contributed prints to the AAUE paper Die Proletarische Revolution, calling for workers to abandon parliament and form and participate in worker’s councils.