Mutlu Çerkez: 1988–2065

Published by MUMA (Monash University Art Museum), Melbourne, 2018, 16 pages (b/w ill.), 29.7 × 21 cm, English

Price: €2 (Out of stock)

Room brochure produced to accompany Mutlu Çerkez: 1988–2065, an exhibition that surveyed the art and life of Mutlu Çerkez, the Turkish Cypriot Australian artist who lived and worked in Melbourne until his death in 2005 at MUMA (Monash University Art Museum), Melbourne.

Çerkez was an influential artist who, during his lifetime, had a significant impact on the Australian and international art worlds. His work incorporated traditions of conceptual art, minimalism and monochrome painting but made its own internal logic its primary reference point while strenuously resisting a reduction to any single style.

His practice explored its own temporality and sought to create a conversation between past actions and future scenarios. Each new work was ascribed a future date on which he intended to remake the work. Working in a range of mediums including printmaking, painting and sculptural installations, Çerkez employed abstract designs and aphoristic symbols to expound upon time and reality and build upon the conversation between past actions and future scenarios. In 2005, Çerkez passed away in his Melbourne home.

#2018 #muma #mutluçerkez
Limits to Growth Nicholas Mangan

Published by Sternberg Press, Berlin, 2016, 246 pages (colour & b/w ill.), 17 × 24 cm, English

Price: €28 (Temporarily out of stock)

Edited by Aileen Burns, Charlotte Day, Krist Gruijthuijsen, Johan Lundh
Texts by Max Andrews and Mariana Cánepa Luna (Latitudes), Helen Hughes, Ana Teixeira Pinto

This publication accompanies Australian multidisciplinary artist Nicholas Mangan’s survey exhibition Limits to Growth. The exhibition and book bring together four of Mangan’s most significant works of the past seven years, alongside a new commission. The works in the show tackle narratives from his own geographical region—Asia Pacific, in which his home country of Australia plays a colonial role—and weaves them into a bigger picture to take into account the global economy, resource extraction, and the ultimate power of the sun. Featuring an in-depth series of conversations between the artist and the Barcelona-based curatorial collective Latitudes, and essays by Ana Teixeira Pinto and Helen Hughes, this publication is richly illustrated with documentation of Mangan’s artworks and historical source material.

Copublished with the Institute of Modern Art, Brisbane; KW Institute for Contemporary Art, Berlin; and Monash University Museum of Art, Melbourne
Design by Žiga Testen

#2016 #helenhughes #imabrisbane #kristgruijthuijsen #kwinstituteforcontemporaryart #latitudes #muma #nicholasmangan #sternbergpress #zigatesten