Alfred Jensen

Published by Kestner-Gesellschaft Hannover, 1973, 100 pages (colour & b/w ill.), 21 × 21 cm, German / English

Price: €10

Produced on the occasion of the exhibition Alfred Jensen at Kestner-Gesellschaft Hannover, 12 January – 11 February, 1973. With texts by Wieland Schmied and Allan Kaprow.

*Please note this publication is secondhand and has some traces of previous ownership.

#1973 #alfredjensen #allankaprow #kestnergesellschaft
Walter Dexel

Published by Kestner-Gesellschaft Hannover, 1974, 112 pages (colour & b/w ill.), 21 × 21 cm, German

Price: €12

Produced on the occasion of the exhibition Walter Dexel at Kestner-Gesellschaft Hannover, 25 January – 3 March, 1974. With texts by Walter Vitt, Peter Winter, Eugen Gomringer and Walter Dexel.

*Please note this publication is secondhand and has some traces of previous ownership.

#1974 #kestnergesellschaft #walterdexel
Wolf Vostell

Published by Kestner-Gesellschaft Hannover, 1977, 183 pages (b/w ill.), 21 × 21 cm, German

Price: €12

Produced on the occasion of the exhibition Wolf Vostell at Kestner-Gesellschaft Hannover, 12 May 19 June 1977. With texts by Wieland Schmied, Eugen Thiemann and Carl Albrecht Haenlein.

*Please note this publication is secondhand and has some traces of previous ownership.

#1977 #kestnergesellschaft #wolfvostell
Heimo Zobernig

Published by Verlag für moderne Kunst, Vienna, 2014, 96 pages (colour & b/w ill.), 21 × 30 cm, German/English

Price: €15

Produced on the occasion of the exhibition Heimo Zobernig, Mudam Luxembourg, April 29 – September 7 & kestnergesellschaft Hannover, 21 November 2014 – 2 Februrary 2015.

Heimo Zobernig (*1958 in Mauthen, Austria) occupies a central position in contemporary art with his diverse, genre- spanning work. The artist, who lives in Vienna, works with painting, sculpture, architecture, graphic and furniture design, video, performance and music. He often uses everyday materials such as cardboard, styrofoam, pressboard, linen and fluorescent lights to create his objects and spatial interventions. The unpretentious material, coupled with a simple, geometric use of forms, contributes to the soberly pragmatic impression.

With texts from Heinrich Dietz, Helmut Draxler, Veit Görner, Enrico Lunghi and Clément Minighetti

#2014 #heimozobernig #helmutdraxler #kestnergesellschaft
Eduardo Paolozzi

Published by Kestner-Gesellschaft, Hannover, 1974, 128 pages ( b/w ill.), 20.5 × 20.5 cm, German

Price: €10

Produced on the occasion of Eduardo Paolozzi’s 1974 exhibition at Kestner-Gesellschaft, Hannover, December 6 1974 – January 19 1975, in association with the Nationalgalerie, Berlin.

#1974 #eduardopaolozzi #kestnergesellschaft
in relation to a Spectator: Studio for Propositional Cinema

Published by Kestner Gesellschaft, Hannover and A.P.E. (Art Projects Era), 2017, 11.5 × 18 cm, 144 pages, English

Price: €18 (Out of stock)

Contributions by Paul Chan, Keren Cytter, Nicolás Gaugnini, Irena Haiduk, Madeline Hollander, Sarah Kürten, Jordan Lord with Carissa Rodriguez, Luzie Meyer, John Miller, Rachel Rose, Karin Schneider, Cally Spooner, Studio for Propositional Cinema, Lawrence Weiner, Christopher Williams

A compendium of essays, scripts, poems, and proposals by various artists, in relation to a Spectator: was compiled by Studio for Propositional Cinema for their eponymous exhibition at the Kestner Gesellschaft in Hannover. In the opening text, Studio for Propositional Cinema—an artist collective founded in Düsseldorf in 2013—sets the context for the book’s investigations into notions of the script, staging, and the conditions of the exhibition itself. Other contributions include Keren Cytter’s rules and declarations for engaging life; Irena Haiduk and John Miller’s ruminations on the nature of the image and of the cinematic, respectively; a series of missives to Kevin Spacey from Cally Spooner; and an “open letter” by Christopher Williams detailing the labor and material conditions that have furnished the walls on which his exhibitions have hung.

This book is part of an ensemble of structures related to the nature of presentation in the Kestner Gesellschaft exhibition. Visually connected in their ultra-gloss white surfaces, they are meant to be seen as intertwined sites for the display of objects, the reproduction of images, the staging of performances, and the transmission language through talks and conversations. Design by Ronnie Fueglister

#2017 #christopherwilliams #kerencytter #kestnergesellschaft #paulchan #ronniefueglister #studioforpropositionalcinema