I’M NOT A NICE GIRL! Eleanor Antin, Lee Lozano, Adrian Piper, Mierle Laderman Ukeles

Published by Kunstsammlung Nordhein-Westfalen, Düsseldorf, 2019, 32 cards in manila envelope (colour & b/w ill.), 19 × 13 cm, English / German

Price: €8 (Out of stock)

Produced on the occasion of the exhibition I’M NOT A NICE GIRL! Eleanor Antin, Lee Lozano, Adrian Piper, Mierle Laderman Ukeles at K21 Düsseldorf.

The point of departure for the exhibition is a series of documents that have rarely or never been shown before – letters, concepts, and photographs from the Archive Dorothee and Konrad Fischer which chronicle contacts between the internationally influential gallerist Konrad Fischer and Lucy R. Lippard, as well as women Conceptual artists from the late 1960s and early 1970s such as Eleanor Antin, Hanne Darboven, Agnes Denes, Adrian Piper, Lee Lozano, Charlotte Posenenske, and Alina Szapocznikow.

#2019 #adrianpiper #agnesdenes #alinaszapocznikow #charlotteposenenske #eleanorantin #ephemera #hannedarboven #leelozano #lucyrlippard #mierleladermanukeles
1926–1973 Alina Szapocznikow

Published by Galeria Sztuki Współczesnej Zachęta, Warsaw, 1998, 15 pages (colour ill.), 27.5 × 23 cm, Polish

Price: €15

Published on the occasion of the exhibition  Alina Szapocznikow 1926–1973, Galeria Sztuki Współczesnej Zachęta, Warsaw, 1998. Curated by Anda Rottenberg.

#1998 #alinaszapocznikow
Alina Szapocznikow

1968, 16 pages (b&w ill.), 18 × 27 cm, French

Price: €48 (Out of stock)

Publication produced on the occasion of Alina Szapocznikow’s exhibition at Galerie Cogeime, Bruxelles, November 12 to December 3 1968.

Alina Szapocznikow was a polish sculptor who as a Holocaust survivor began working in the post-war period in a rather classical, figurative manner, her later experimentation and re-conception of sculpture left behind a legacy of provocative objects – at once sexualized, visceral, humorous, and political – that sit uneasily between Surrealism, Nouveau Réalisme, and Pop Art. Her tinted polyester-resin casts of her lips and breasts transformed into quotidian objects like lamps or ashtrays, her spongy polyurethane forms often embedded with casts of bellies or live grass, and her construction of resin sculptures that incorporate found photographs remain as remarkably biting, visionary, and original today as when they were first made.

#1968 #alinaszapocznikow #galeriecogeime