Produced on the occasion of Manfred Pernice’s exhibition sculpturama at Secession, Vienna, 26 November 2010 – 13 February 2011. With texts from Verena Dengler, Klaus Gölz, Axel Jablonski, Bettina Klein, András Pálffy, Stephan Schmidt-Wulffen, Hemma Schmutz and Annette Südbeck.

Produced on the occasion of Richard Prince’s exhibition The Magic Castle 1968-1969 at Le Consortium, Dijon, in 2011, based on a series of photographs taken when he was student in France. With a text by Richard Prince.

American artist Richard Prince recycles found materials from American popular culture, most often images from advertisement and magazine photography which he re-photographs, silkscreens, overpaints, frames, enlarges, or arranges in collages, playing with their somehow empty meaning.

Produced on the occasion of Aleana Egan’s solo exhibition at The Drawing Room, London, 2011.

Drawing forms the starting point of Egan’s work, with a sketchbook providing a repository for the noting down of ideas and experimentation with forms that are developed into autonomous drawings, collages, sculptures and films.Ideas are triggered through observations made during everyday life, but also by memories of childhood experiences and works of literature.

Spine resembles a catalogue raisonné of R. H. Quaytman’s work produced since 2001, the year the artist began organizing paintings in what are called “Chapters.” Conceived and written by Quaytman, this more than 400-page volume presents a full decade’s output, from “The Sun, Chapter 1” to “Spine, Chapter 20,” the latest series which revisits motifs elaborated in the preceding nineteen chapters. A text articulating the artist’s systematic pictorial practice, executed on Golden Section wood panels, is printed on the book’s unfolding dust jacket.

Produced on the occasion of Haegue Yang: Arrivals at Kunsthaus Bregenz January 22 – April 3, 2011. This publication is the third in a series of catalogues raisonnée assembled by Kunsthaus Bregenz: compiled by Katharinea Schwerendt, this catalogue comprehensively covers the work of Haegue Yang. With texts from Marina Vishmidt, Anders Kreuger and Yilmaz Dziewior. Designed by Yvonne Quirmbach

Produced on the occasion of The Art of Connecting: Atsuko Tanaka at Ikon Gallery, Birmingham, which illustrated an unprecedented balance between all aspects of Tanaka’s practice, ranging from her earliest gestures, including documentation of Gutai performances in the 1950s, to paintings made shortly before her death in 2005.

Through variety it conveys a remarkable consistency of vision, connecting art and everyday life as we know it. It articulates an artistic proposition that makes Tanaka one of the most important figures of the Japanese post-war avant-garde.