Het formaat van Man Ray K.Schippers

Published by Reflex, Utrecht, 1979, 12 pages, 8.5 × 15 cm, Dutch

Price: €12

Second edition. A booklet documenting K.Schippers’ visit to Man Ray in Paris.

#1979 #kschippers #manray
Beobachter, Stelen, Geschlagene Landschaft Jockel Heenes

Published by Neue Galerie-Sammlung Ludwig, Aachen, 1979, 44 pages (b/w ill.), 21.4 × 30.4 cm, German

Price: €14

Produced on the occasion of Jockel Heenes’ exhibition Blei, Beobachter-Environment, Stelen, Objekte, Landschaft, Natur, Geschlagen, Gezeichnet, Fotosequenz, 10 November, 1979 – 6 January, 1980 at the Neue Galerie-Sammlung Ludwig, Aachen.

*Please note this publication is secondhand and has some traces of previous ownership.

#1979 #neuegaleriesammlungludwig
Ellsworth Kelly

Published by Stedelijk Museum, Amsterdam, 1979, 68 pages (colour & b/w ill.), 21 × 27.5 cm, Dutch / English

Price: €18

Produced on the occasion of the exhibition Ellsworth Kelly Paintings and Sculptures 1963-1979 at the Stedelijk Museum, Amsterdam, 13 December, 1979 – 3 February 1980.

SM Cat. No 663.

Designed by Wim Crouwel and Artlette Brouwers (Total Design).

*Please note this publication is secondhand and has some traces of previous ownership.

#1979 #ellsworthkelly #painting #stedelijkmuseum #wimcrouwel
Het formaat van Man Ray K. Schippers

Published by Reflex, Utrecht, 1979, 12 pages, 8.4 × 14.8 cm, Dutch

Price: €8

Gerard Stigter (6 November 1936 – 12 August 2021), known by the pseudonym K. Schippers, was a Dutch poet, prose writer and art critic. Credited with having introduced the readymade as a poetic form, his work is dedicated to looking at everyday objects and events in a new way.

#1979 #kschippers #manray #poetry
Otto Meyer-Amden

Published by Kunsthalle Basel, Basel, 1979, 202 pages (b/w ill.), 21 × 25 cm, German

Price: €28

In the transition from Symbolism to international modernism that occurred between Ferdinand Hodler and Mondrian, no other Swiss artist succeeded in creating an oeuvre as confident and idiosyncratic as that of Otto Meyer-Amden. Born in 1885 in Bern, Meyer initially trained as a lithographer before attending the School of Arts and Crafts in Zürich. Following a semester at the Academy of Arts in Munich, he joined the Royal Academy of Fine Arts in Stuttgart in 1907, where he studied for a short time under Adolf Hölzel, whose interest in abstract formal principles set him apart from the prevailing naturalism of the time. It was there that he encountered Willi Baumeister and Oskar Schlemmer, with whom he would go on to maintain a close exchange until his death, exerting a strong influence on the pair.

*Please note this publication is secondhand and has some traces of previous ownership.

#1979 #ottomeyeramden
Markus Raetz

Published by Stedelijk Museum, Amsterdam, 1979, 8 pages, 21 × 28 cm, Dutch

Price: €7 (Out of stock)

Produced on the occasion of Markus Raetz’s exhibition at the Stedelijk Museum, Amsterdam, 6 April – 20 May, 1979.

SM Cat. No 654a.

*Please note this publication is secondhand and has some traces of previous ownership.

#1979 #markusraetz #stedelijkmuseum